PHIL ADAMS PHOTOGRAPHER

Terms and Conditions of Business

Purpose
This agreement contains the entire understanding between the Photographer and the Client. It supersedes all prior and simultaneous agreements between the parties. The only way to add or change this agreement is to do so in writing, signed by both parties.

Booking & Payment Terms
Once a booking is confirmed in writing, the agreed date and time will be reserved exclusively for your business. For work with commercial and corporate clients, no deposit is usually required. An invoice will be issued following the shoot, with payment due within 30 days.

In exceptional circumstances - a deposit may be requested to secure the date. This will be clearly communicated and agreed in writing at the time of booking.

Upon your signature, the Photographer will reserve the time and date agreed upon and will not accept other bookings for that period. For this reason, any agreed Reservation Deposit is non-refundable, even if the date is changed or the event cancelled for any reason, including acts of God, fire, strike, or extreme weather.

If the Client cancels the photoshoot within seven days of the agreed date, the Client may be liable for the full cost of the booking (at the Photographer’s discretion) due to loss of income and the limited opportunity to secure a replacement booking in that timeframe. However, rescheduling may be offered at the Photographer’s discretion, subject to availability.

Should you need to reschedule or cancel for any other reason, please provide as much notice as possible. Every effort will be made to accommodate a new date where feasible.

Pre-Shoot Consultation
If the parties agree a pre-shoot consultation should take place to confirm the shoot brief, locations, timings, and any specific image requests the Client may have. If particular individuals, products, or setups are to be photographed, the Client is responsible for identifying or arranging access to them during the shoot. The Photographer cannot be held responsible for missing specific shots if no one is available to assist with identifying or coordinating the required subjects or setups.

Shooting Time/Addition
The photography schedule and selected methodology are designed to accomplish the goals and wishes of the Client in a manner enjoyed by all parties. The Client and the Photographer agree that cheerful co-operation and punctuality by all members of the Event staff are therefore essential to that purpose. Shooting commences at the scheduled start time agreed by both parties. Should additional photography and/or travel time, that is not included in the agreed package, be requested by the Client, it will be charged on top of the agreed price at the photographer’s descretion

3rd Party House Rules
The Photographer is limited by the guidelines of event officials and/or event location site management. The Client agrees to accept the technical results of their imposition on the Photographer. Negotiation with the officials for moderation of guidelines is the Client’s responsibility; the Photographer will offer technical recommendations only.

 

File Delivery & Editing Policy

All final images delivered to the Client will be in professionally edited JPEG format. RAW files are not supplied under any circumstances, as they are unfinished and do not represent the final creative standard of Phil Adams or what you have commissioned Phil to produce..

By booking my services, you confirm that you have seen and approved the style of work I produce — whether via my website, social media, previous commissions, printed materials, or other sources — and that you are commissioning me based on that recognisable style. The editing process, including colour grading, retouching, toning, and composition, forms a key part of my photographic approach and professional output.
 

Image selection is solely at my discretion. The strongest images will be selected by the Photographer or their crew from each shoot for editing and delivery, based on what best represents your brief and my creative standards. Clients do not provide input on image selection or editing decisions unless explicitly agreed in writing before the shoot.

Copyright & Usage Licence
As the creator of the images, I retain full copyright. By commissioning my photography you buy the right (a licence) to use the images, but you don’t own them outright.

This is an important distinction, as some may assume that once they’ve paid the photographer, they own the photographs and can use them however they wish. That is not the case and never has been, these are not my rules either, it is Copyright law.
 

Image Usage Licence

What’s included in your photoshoot fee:
You get a basic usage licence, which allows you to use your images for your own business marketing. This includes:
 

• Your website

• Social media

• Email newsletters

• Other digital platforms

• Print materials (brochures, flyers, posters, etc.)

• Advertising or promotional campaigns (online or offline)

• National or regional media use

• Third-party use (magazines, newspapers, suppliers, or agencies)

If you want to use your images in any of these ways, you’ll need an extended licence, which can be purchased separately.

Third-Party Use

If anyone outside your business wants to use the images (for example, a magazine, PR agency, or supplier), they need a separate licence from me.
 

• They can contact me directly, or

• You can request an extended licence on their behalf.
 

Either way, there will be a separate fee, depending on how and where the images are used.

Example:
If an architect commissions photography for their website and later a design magazine asks to feature one of the images in an article, the magazine must either contact me directly to obtain a licence, or the architect can request an extended licence from me to cover that specific media use. Either option would involve a separate usage fee, depending on where and how the image will be used.

For common questions on usage rights, licensing, and third-party use, please see the separate Licensing & Usage FAQ available at my FAQ page

Digital Negatives, Prints and Copyrights

The photographs, digital negatives or prints produced by the Photographer are protected by International Copyright Law (all rights reserved) and the Photographer retains the copyright to all photos and images produced. The Client may receive a copy of the hi-res digital photographs on disc if it has been agreed upon as part of the Event Package. If so, the Client may reproduce any photos in any manner they like for internal and external purposes. The Client agrees to obtain written permission from the Photographer prior to the Client (or its assigned agents) publishing or selling the photographs for profit.

Model Release

The Client hereby grants to the Photographer and its legal representatives and assigns, the irrevocable and unrestricted right to use and publish photographs of their shoot, its guests, attendees, and officials for editorial, trade, advertising, stock, commercial and any other purpose and in any manner and medium; to alter the same without restriction; and to copyright the same. The Client hereby releases the Photographer and his legal representatives and assigns from all claims and liability relating to said photographs.

Co-operation of Guests and Other Service Providers 

The Client is responsible for the conduct of their guests and employees. Co-ordination with other service providers may be necessary to complete all the photography as scheduled. The Client should share the photography schedule with other service providers to make sure that there are no conflicts with times. In addition, events during the Event should be planned to make the best use of time for all vendors. The Photographer will not tolerate verbally or physically abusive behaviour, nor will the Photographer share its time or compete with guest photographers for the attention of the subjects. Unchecked guest conduct that interferes with photography will seriously affect the quality of the photographs taken and increase the number of photos that must be created. If the Client is unable to control the conduct of the guests or if the conduct of any of the Event guests damages any of the equipment of the Photographer, it will result in the early or immediate departure of the Photographer. The Client understands that in such an event, no refund will be given.

Shot Lists

The Client will provide The Photographers with a list of suggested photographs that they desire in advance. While every attempt is made to accommodate the Client’s desired list of photographs and create the best images possible, no particular image is guaranteed. The Photographer’s are equipped to handle most low-light situations. In situations where flash photography is prohibited or is deemed to be unsafe, the Client agrees to accept the Digital Images as-is, given the technical limitations of low-light photography.

Payment

The Client agrees that the Reservation Deposit is required at the time of signing the contract and the Outstanding Balance is due on the day of the Event, or on the Outstanding Balance Due date in the Event Package Summary, if specified.

Penalty Fees and Late payment Charges

There is a £100 charge for payments returned by the bank for any reason. There will be a statutory late payment fee applied, and Interest on the debt added at the Bank of England base rate plus 8% accruing daily from the due date of any overdue invoice.

Right of Withdrawal

The Photographer’s discovery of new information, changes, or other factors tending to circumvent its policies could result in its withdrawal. Non co-operation; changes of locations, facilities or times available; missed appointments; bad or returned cheques, or late payments are examples of contributing factors. Should the Photographer initiate the withdrawal, all fees and deposits will be returned, excepting fair market value for all services/products already provided. In case of withdrawal, £100 an hour is billed for all photography services already provided, and £100 an hour is billed for all other services, consultations, and all travel time, rounded up to the nearest half-hour. If the Photographer withdraws — the Client will not be billed for any services in excess of their deposits (except if deposit was in form of returned cheques).

Limit of Liability

In the unlikely event of severe medical, natural, or other emergency it could be necessary to retain a different photographer. The Photographer will make every effort to secure a skilled replacement photographer. If the situation should occur and a suitable replacement is not found, responsibility and liability is limited to the return of all payments received for the Event Package. The Photographer takes the utmost care with respect to exposure, transportation, and processing the photographs including using professional grade equipment and professional grade backup equipment. However, in the unlikely event those photographs have been lost, stolen, or destroyed for reasons within or beyond the Photographer’s control, the Photographer’s liability is limited to the return of all payments received for the event package. The limit of liability for a partial loss of originals shall be a prorated amount of the exposures lost.

Non-Guarantee 

Although every possible care will be taken to produce photographs of all important and special moments during the Event, the Photographer cannot place an unconditional guarantee on the above. The Photographer will not be held responsible for any ruined photographs due to guests’ (or any other) flashes; or any other ruined photographs due to any other cause in or outside of the Photographer’s control.

Performance

The performance of this contract on behalf of the Photographer shall be contingent upon acts of God, flood, fire, warfare, government laws or regulations, electrical failure, strikes by suppliers, and / or conditions beyond its control.

If any provision of this agreement is held to be invalid or unenforceable under the law, the validity of this agreement as a whole shall not be affected, and the other provisions of the agreement shall remain in full force and effect.

Arbitration

Any controversy or claim arising out of or relating to this contract, or the breach thereof, shall be settled by arbitration, administered in accordance with the Commercial Arbitration Rules of the British Arbitration Association, administered by a licensed Arbitrator in the jurisdiction closest to the Photographer’s office and the arbitration award may be entered for judgment in any court having jurisdiction thereof. Notwithstanding the foregoing, either party may refuse to arbitrate when the dispute is for a sum less than £150. In no event shall an award in an arbitration initiated under this clause exceed the contracted price of the controversy in dispute.

Insurance & Indemnity

Phil Adams is insured for public liability and professional indemnity by Eversure Insurance details are available upon request.